By Ray Bradbury
Halloween evening, 1954. a tender, film-obsessed scriptwriter has simply been employed at one of many nice studios. An nameless research leads from the large Maximus movies backlot to an eerie graveyard separated from the studio by way of a unmarried wall. There he makes a terrifying discovery that thrusts him right into a maelstrom of intrigue and mystery—and into the dizzy excitement of the motion picture on the top of its glittering strength.
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Additional resources for A Graveyard for Lunatics: Another Tale of Two Cities
Fragments, fragments, fragments,舗 Pessoa wrote to his friend Cortes-Rodrigues, because certain texts abounded in blank spaces for words or phrases or whole paragraphs to be inserted later (but they rarely were), while other 舖texts舗 were no more than sketches or notations for prose pieces that never materialized. The Book of Disquiet always remained 舑 as if this were a condition for its existence 舑 a work that was still waiting to happen, that needed to be written in large part, rewritten in other parts, then articulated and fine-tuned, or was it time to rethink the whole project?
Pessoa himself recognized that they did not easily fit into Soares舗s 舖Factless Autobiography舗 (one of various self-descriptive epithets found in the assistant bookkeeper舗s scattered journal of thoughts), which is why he considered taking the even more radical step of removing them to a separate book. For no other reason than to facilitate consultation and referral, I have assigned numbers to the passages in the first section (most of which are untitled), and arranged the texts from the second section by their titles, alphabetically.
And isn舗t it he, after all, who one day happened to look at his neighbour舗s window and identified with a crumpled rag left on the sill? Soares had no inner life of his own, and the full-fledged heteronyms hardly had more. A novelist舗s characters are often based on friends or family members, but all of Pessoa舗s characters were carved out of his own soul 舑 of what he really was (in the case of Soares) or of what he wanted to be (in the case of the early, adventurous Campos) 舑 and they each received only a piece of him.