Download 40 More Hits of Our Times, Book 2 by Leeds Music Corporation PDF

By Leeds Music Corporation

Piano song publication

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Extra resources for 40 More Hits of Our Times, Book 2

Example text

It’s impressive, with credit due no doubt to the band’s producer Terry Melcher, that despite the refinement and pedigree of their session musicians, the Raiders remained true to their origins as a raucous frat party band from the Pacific Northwest. The Byrds also were among Terry Melcher’s production • 42 • RICHARD HENDERSON clients; at an earlier recording date, playing Hammond organ, Parks featured on “5D (Fifth Dimension),” the title track from The Byrds’ third album released in 1966. That year, at a party on the lawn of Melcher’s home on Benedict Canyon’s Cielo Drive, Melcher the star producer introduced Parks the eloquent session player to the Beach Boys’ bassist, principal composer and producer, Brian Wilson.

Van Dyke Parks, discussing his collaborator, from SMiLE, The Story of Brian Wilson’s Lost Masterpiece I mean everything you can write about it — and every fantasy that people have had about it — has been written. —Danny Hutton, in conversation with the author S ong Cycle’s achievement has been occluded from the time of its release, effectively voiding out much of the scholarship that it deserves. One of the shadows that mutes its accomplishments is thrown by the large, • 45 • SONG CYCLE strangely amorphous silhouette of SMiLE, the Beach Boys album that should have appeared in 1967.

This trio of records, plus Warners’ concurrent release of Van Morrison’s Astral Weeks, dressed the stage for the singer-songwriters of the early ’70s whose albums of confessional songs would generate both significant revenue streams and points of pride for the Warner/Reprise label group.

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