Download A Natural History of the Piano: The Instrument, the Music, by Stuart Isacoff PDF

By Stuart Isacoff

A desirable occasion of the piano, together with stories of its masters from Mozart and Beethoven to Oscar Peterson and Jerry Lee Lewis, informed with the services of composer and writer of Temperament, Stuart Isacoff.
This historical past takes us again to the piano's humble genesis as an easy keyboard, and exhibits how every person from Ferdinando de’ Medici to Herbie Hancock affected its evolution of sound and effect in renowned track. providing the device that has been on the center of musical improvement over the centuries in all its good looks and complexity, this explores the piano’s services and the diversity of emotional expression it conveys in numerous artists’ fingers. A ordinary background of the Piano is fast paced and exciting, with attractive illustrations and photographs, a must-read for track fanatics and pianists of each level. 

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Additional info for A Natural History of the Piano: The Instrument, the Music, the Musicians--from Mozart to Modern Jazz and Everything in Between

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Charles Edward Smith noted from his interview with Willy Cornish during Mardi Gras of 1939: “Bunk put on long pants to go out with Bolden band. Bunk wasn’t taught by Bolden and Cornish couldn’t remember who it was. ”75 The phrase to “go out” with the Bolden band does suggest that he was an invited guest, rather than a casual player who sat in. At no time did Bunk ever claim he was a pupil of Buddy Bolden, and Cornish confirmed Just Bunk? 45 this. Two possible candidates for the bandleader who knocked the cornet out of Bunk’s mouth are Cutchey Wallace, who led the boys’ band that Bunk played in, or perhaps the man that Bunk called Adam Olivier.

59 The Composer Virgil Thomson remembered it as a river song heard in his boyhood in Kansas City, and Dr. Newman Ivey White reported it in his book American Negro Folk-song in the following form, sung as a work song by Negro laborers in Augusta, Georgia: Thought I heard—huh! Judge Pequette say—huh! Forty-five dol-lars—huh! Take him away—huh! Dr. 60 “Buddy Bolden’s Blues” is a song, and songs may not have been typical of Bolden’s dance repertoire. ”61 On the other hand, it may be that Bolden adapted his repertoire for different venues.

Cutchey taught me how to play cornet. I played in the school band which played all street marches, overtures and waltzes. 33 New Orleans University was Methodist. Bunk made clear that his school was Baptist, and it was “back of ” New Orleans University. The Robinson fire insurance map of 1883 shows a school on Constance Street between Leontine and Valmont. This is directly behind, although many blocks, from New Orleans University. 34 Given that it is likely Bunk attended school until around 1899 (or later), this is probably not Bunk’s school.

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